Legend & Origin
The Queen Mother of the West may have gone through the most dramatic image change of any deity.
In the earliest source, the Classic of Mountains and Seas, she is a half-divine, half-beast creature 'with a human face and tiger's teeth, a leopard's tail and wild hair,' living on Mount Kunlun and in charge of natural disasters and punishment — worlds apart from the kindly Queen Mother of later times. By the Warring States period, in the Tale of King Mu, Son of Heaven, the Queen Mother of the West has become a goddess who meets King Mu of Zhou; and in the Han-era Inner Biography of Emperor Wu of Han, she even presents immortal peaches to Emperor Wu.
After Taoism took shape in the Wei and Jin periods, she was honored as head of the female immortals, the Jade Pool became her home, and the flat peaches became her signature — three thousand years to blossom, three thousand to bear fruit, three thousand to ripen. The 'Peach Banquet' is the grandest feast of the heavenly court, and the famous scene in Journey to the West where Sun Wukong wreaks havoc in heaven.
From beast goddess to motherly deity, this transformation across thousands of years mirrors how people's idea of 'mother' has changed. And in Taiwan, from 1949 onward, Hualien's Tzu Hui Tang took Queen Mother worship in a new direction: compassionately saving the world and devoting itself to social service — the goddess stepped down from the Jade Pool and into the human world.
